Maohden, Vol. 1
Maodhen, Vol. 1
Written by Hideyuki Kikuchi, Ary by Jun Suemi, Translated by Eugene Woodbury
DMP, 258 pp.
Rating: YA (16+)
The latest Hideyuki Kikuchi release from DMP is a bit of blast from the past. Originally published in 1986, Maohden is a tale of Demon City Shinjuku predating Yashakiden but involving the familiar faces of Doctor Mephisto and Setsura Aki. A mysterious and deadly figure from Setsura Aki’s past reappears in Shinjuku after nearly 15 years. What secrets does he hold and how does it all connect to the Demon Quake and the current state of the city? This series promises the answers!
While I’m used to Hideyuki Kickuchi mixing sex and horror in his other works I don’t think any other book of his that I’ve read has ever ever been quite as crude and extreme in it’s usage as Maohden. Within the first thirty pages we’re treated to an employee at a hostess club being raped by a were-bear creature and a female co-worker stripping down and masturbating after watching Setsura Aki slaughter the clubs security. It just gets more bizarre and in your face from there. While Kikuchi’s hardly going to be mistaken for a feminist or a progressive when it comes to gender relations it all just feels a bit more omnipresent in this book. After finishing the novel and reading the Afterward I found out why. He wanted it to be more extreme and over the top in the sex and violence content. The result is a rather brutal, crude and graphic read full of just that, people being slaughtered and screwed. Interestingly enough the sex comes off as cruder and more graphic than the violence but admittedly that could just be my American cultural biasses and influences showing. Aside form all that this book is loaded with information about the city and some rather tantalizing hints regarding the bigger questions surrounding the Devil Quake and what the Demon City means for the world at large. It’s full of Kikuchi’s usual imaginative and over the top characters, powers and bits of world building history that he tends to pepper his books with. References to specific streets, stores and buildings abound! As for the characters, they’re what you should be expecting from Kikuchi at this point, beautiful, stoic, kind of dark and mysterious. I doubt they’ll develop much beyond that during this series.
The translation is courtesy of Eugene Woodbury, who happens to have been the translator on both the Yashakiden series and the Demon City Shinjuku collection from DMP. From what I remember of Yashakiden I thought the translation was ok with some odd bits here and there. Sadly I feel that the translation for Maohden is a bit rougher and the book suffers from it. I’m hardly a grammar expert so when I start to notice strange sentence fragments lurking about that cause the flow of the text to come to a screeching halt you know something is up. I’m not sure if he was simply attempting to be literal in his translation and these floating fragments are due to grammatical differences between Japanese and English, but they stick out like a sore thumb and make the book rather awkward to read in places. I’m not really expecting perfect grammar throughout, but more often than not these seem like fairly noticeable things that some minor editing or proof reading could have taken care of.
Jun Suemi, whose work appeared in Yashakiden, provides the spot illustrations here as well. His work here also feels a little rougher and stiffer than in that later series and even the cover doesn’t click or grab me in the way Yashakiden’s did. Still, they’re decent enough and don’t really detract or take away from the reading experience at all and in fact do a good job at depicting one or two of the minor characters.
This isn’t the greatest thing I’ve ever read from Kikuchi and I don’t think it’s in danger of becoming my favorite. Still, there are seeds of what’s to come here. The exhaustive and lengthy asides that flesh out the history and culture of the city are as enjoyable as ever. Likewise the teasing hints and promises that we may find out some secrets behind the city’s existence should be enough to warrant a look from any hardcore fan of his or of the Demon City itself. Assuming they can get by the huge amounts of graphic and crude sex that is. It’s not a good introduction to Kikuchi’s work and is something long time fans will probably get the most out of.